CDR swooping in to give us another season with a bigger budget, more sponsors and a Brooke Lynn Hytes mullet.
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A lighthearted romp full of slapstick antics.
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This is one of those shows that blurs the line between audience and performer. It’s a nice respite from the otherwise formality of theatre.
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Though the show has its fair amount of silliness, it is also surprisingly touching.
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A diversity of performers, not just in broad stylistic terms, but in its four unique stage presences.
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Ipema and Apple have certainly outdone themselves in the preparation for this performance.
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The show is irreverent and self-aware but careful to not sacrifice sincerity in the process.
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As a visually appealing and engaging piece of theatre, this performance is ticking all the boxes.
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Inventive and well acted, this is a treat for theatre enthusiasts looking for something a little different.
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Unexpected and quick thinking resulting in deep belly laughs.
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It’s the perfect show for someone who loves a bit of low-tech spectacle with a lot of heart.
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Playful, engaging, and endlessly clever, this wild premise is executed to great comedic effect.
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Ethel is a delightful and captivating clown. Even if you don’t like clowns, you will like Ethel.
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A must-see for fans of both musical theatre and sketch comedy.
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A key strength of this show is the skillful balance of stories told in a past tense with a real-time conflict of present romantic uncertainties.
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